FABIAN VON AUERSWALD PDF

The Art of Wrestling by Fabian von Auerswald. The Art of Wrestling: 85 pieces to the honorable and gracious Electors of Saxony by Fabian von Auerswald. Fabian von Auerswald was a German Renaissance master of Ringen (wrestling). In , at the age of 75, he completed a beautifully. Find the perfect fabian von auerswald black & white image. Huge collection, amazing choice, + million high quality, affordable RF and RM images. No need.

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The first is the Rejected Hip itself. Thus I bring him into the wheel. File upload Batch upload.

Von dem Andbindenn In diesem stande kan man gar eigentlich sehen was den Autor fur vorteill gebe [aucht? You are commenting using your WordPress.

The turn in of the hips and the leg hook From it goes the backward throw: But if he stands with a correct balance then I cannot do this.

Take your left arm over his shoulder to his neck to bring him close for control, and drop your weight so that you can seize his right leg with your right arm.

If he comes at you with his hands open, then you will use the hand breaking technique. Erstlich so siehe auf, ob der Man hoch oder niedrig zue dir gehet, Gehet er hoch, so darffstu in dich nichts besorgen, und machst die stucke, so du im sin hast, frey nehmen. When he lets go of my leg hook, then I stoop through under his right arm with my head and my right arm above comes his neck and my left arm comes between his legs auerwsald then I run to the right with him and I stay the whole time with my left leg in the hole.

This piece is called the weak point of the vvon, and means that you strike with your right hand on his left near the fist, so that he must bend down. Retrieved from ” https: Copyright and License Summary. Here I come with my right arm over his left arm, from a wind outside in behind his left elbow. Hi Alexander, Thank you! File upload Batch upload. The entering of the leg hook I strike his left hand out with my right hand in and grab him over the shoulder and run in with my right leg on his right leg then I am right in the leg hook.

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Fabian von Auerswald

It is vital to turn his face first because if your opponent is not turning away you will be unable to secure the leg in a dominant position with the knee pointed down. Here you may see: Break against the high hip Just when he runs in then I put my left hand on his left shoulder.

If your opponent steps in to perform the High Hip, quickly grab onto the rear of his left shoulder with your left hand while simultaneously grabbing underneath his right thigh with the other hand. Here must also one arm be underneath, and the the other above, and my right arm underneath, then Auuerswald step the winning step with my right leg between his legs, and with the left behind his right.

A technique from Fabian von Auerswald, 1539

Ken Harding February 10, at 2: Da mus auch ein Arm unten sein, der ander oben, und mein rechter Arm unten, so trette ich mit meinem rechten Schenckel zwischen seine Beine gewinlich und mit dem lincken hinder seinen rechten. I sweep his left leg then he must go out of the dung hoe to the side, so that he must fall. The counter to the tug in front of the opponent When he tugs at me with the left arm outwards, then I step out with my left leg behind his aueeswald and with my left elbow I force him over backwards and catch him between his legs with my right arm.

That can be done as the backward throw. In keeping with the spirit of preserving his art, auerswalld are a selection of techniques from Ringer kunst: Dis sind die zwo Huffe, das auch ein Arm oben der ander fzbian ist, Darnach tret ich mit meinem rechten schenckel uber sein recht Bein naus, und neme die Huffe und zihe in heruber, Las in nicht fallen, so kompt sein rechtes bein fur mein rechtes, und trit mit seinem lincken schenckel hintersich, so ziehet er mich auch heruber, das ist sein Geselliglich.

Auegswald I lean backwards, and do a powerful backward throw.

Wheeling the opponent Here I step with my right leg as wide as I can toward his right leg. Wenn ich einem beide Arm ausgerissen habe, so habe ich beide meine Arm unten, so erwisch ich mit meinen armen seine beide Bein und hebe in zu mir und gehe mit meinen Knien von einander, so auetswald ich seine beine uber mein knie.

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You might hook from the inside or outside of your leg, and there are numerous techniques aierswald can happen from there such as The Fork, seen below.

Just when he runs in then I put my left hand on his left shoulder. When I have stepped the winning step and have come behind his right with my left leg, then he bends down, and I put my left hand onto his throat, and then he is powerless against me.

When he tugs at me with the left arm outwards, then I step out with my left leg behind his right and with my left elbow I force him over backwards and catch him between his legs with my right arm. This is the winning step. Then my left hand comes between his legs and I straighten myself up and lift him up in the air. Break of the struck out hip When he steps out with the hip then I put my left arm over his right shoulder and onto his neck and press him onto me with my left hand.

March 29, at 8: Auerswald’s work also formed the foundation for Paulus Hector Mair ‘s treatment of the subject in his own compilation fencing manuscripts of the s.

Ringer Kunst (Fabian von Auerswald) ~ Wiktenauer ~☞ Insquequo omnes gratuiti fiant

From this technique comes an armbreak Here I come with my right arm over his left arm, from a wind outside in behind his left elbow. Step with the left leg behind his right leg and put your left hand under his chin and stretch it out, thereby you turn auerswal onto his back and the winning step is completed.

That way his bar is countered. Das voh ist, das man einem kurzt fur der Handt abwindet, linck und recht, Daraus siehet man, wie sich der fabkan gegen einem halten will. When I put my left arm over his left arm then I must place my arm high between his legs, when I push up his left arm, it must break or he will fall.